Tuesday, 5 April 2011

Film Preperation

In order for our filming day to run smoothly we created a schedule. There are Three main scenes in our film opening: The Journey, The arrival, and The disturbance in the equilibriam. And all three required a variety of capture angles.

The Journey
This needed to establish who the family were, and the general genre of the film. It captures the stereotypical middle-class happy family, leaving for a day out, and shows the setting of the film. Camera angles are mainly wide-shots to establish the film, and there are not too many close-ups or variations, to ensure there is no awareness of any disturbance. We wanted the "opening of the opening" to be relativly calm and un-asuuming.

-wide-shot of family leaving the house following dad
- getting into the car
- various worms-eye and high-angle shots supplimented by long shots and wide shots of the journey from outside the car
- high angle long shot of car pulling into the car park

The Arrival
This scene begins to build more on the characteristics of the family, and the camera angles become more varied as the opening begins to build pace. During this scene the stereotypical conventions of the family's happiness are continued further as they all walk along the beach, whilst the music plays a role in building suspence and tention.

- establishing wide and long shot of family walking toward the beach
- low-angle of family approaching
-worms-eye close up of children running past
- wide shot of childen chasing eachother along the sand dune
- mid shot of family walking along the beach
- long shot of family approaching beach huts

The Disturbance In The Equilibriam
This is the point in our opening where music dies out and the anxiety sets in. The pace of this scene is disturbing, and there are more high-angled shots of the family to imply the characters helplessness. Also the shot sequence becomes more rapid to aid the "Thriller" convention.

- Over the shoulder shot of charlie hiding inbetween the beach huts spying on her family
- mid close-up of her giggling and slipping inbetween the huts
- slow motion close up of her sliding round the back of the beach huts
- establishing shot of family realising charlies disapperance
- cut to a high angle from on top of the beach huts
- High angle of shouting and searching
- Cut to a mid close-up of philip making an emergency call
- Cut to wide-shot of police radioing in and pulling away
- Cut back to a 180 degree pan of the beach huts showing charlies red coat on the floor

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